Art historian Alison Wright draws on new evidence to reassess the Pollaiuolo brothers’ activities as painters, sculptors, and designers and to set their work in the context of the changing social, political, and cultural life of both Florence and Rome. She considers Antonio’s and Piero’s innovations as well as their self-conscious development of distinct products in precious or novel media. The book provides the definitive account of the Pollaiuolo brothers and their practices, a comprehensive list of their works (including some newly attributed), and a fully updated chronology.