In the 1920s, Southern record companies ventured to cities like Dallas, Atlanta, and New Orleans, where they set up primitive recording equipment in makeshift studios. They brought in street singers, medicine show performers, pianists from the juke joints Это и многое другое вы найдете в книге Barrelhouse Blues: Location Recording and the Early Traditions of the Blues (Paul Oliver)
Barrelhouse Blues: Location Recording and the Early Traditions of the Blues Paul Oliver
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