Excerpt from Short-Story Masterpieces, Vol. 1: French
In zest, movement, and airy charm, in glittering style, precise characterization, and compressed vividness, the French short-story is unsurpassed. German writers have excelled in the fantastic and legendary tale; Russians, in both mysticism and in unrestrained naturalism; British, in those subtle moral distinctions which reveal character under crucial stress; Americans, more or less in all these phases; but no nation has ever developed a school of story-tellers who say so much in so few words, and, withal, say it so artistically and pungently as do the French.
There is a real distinction between a short-story in French and a French short-story. The latter implies a national genre, and indeed this implication is sustained by an examination of French shorter fiction.
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