Excerpt from Rhythm and Harmony in Poetry and Music: Together With Music as a Representative Art; Two Essays in Comparative ?sthetics
"His tendency is to systematize that which is beyond the reach of systematic exposition," "to formulate ideas and qualities not reducible . . . to formul?," "full of learning and suggestive as the book is . . . one is lost in its infinite wrinkles," "fills the mind . . . with a tremendous lot of fancies," - such are the comments with which some are now qualifying their acknowledgements - very late in many cases - of the essential differences between the thought presented in this series of essays, and in previous works upon the same subject. Were there proof that a single writer of such comments had made a sincere endeavor to follow the lines of thought which in these essays have been developed in accordance with the simplest principles of logic and common sense, the opinions thus expressed might be entitled to grave consideration. As it is, they are very apparent utterances of superficial impressions, such as naturally occur to any one who has not looked into a subject deeply enough to be fully aware of its complexities, or of the essential importance and possibility of analyzing them.
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