Excerpt from The Theory of Harmony: An Inquiry Into the Natural Principles of Harmony, With an Examination of the Chief Systems of Harmony From Rameau to the Present Day
The present work might be described as, to some extent, a contribution to the history of the theory of harmony. Notwithstanding the extensive and highly specialized literature which we possess, dealing with the history and the art of music, a literature which of late years has been enormously enriched, comparatively little attention has been given to the history and development of the theory of harmony, which, ever since the time of Rameau, has been considered by musicians themselves to be intimately connected with the art of music. Coussemaker's Histoire de l'harmonie du moyen-age has to do with the history of the art of music during the Middle Ages, rather than with its theory. The Esquisse de l'histoire de l'harmonie of Fetis is a real history of harmonic theory, and of harmonic systems. But it is, from various points of view, inadequate. It would be quite impossible, for example, to gain from the brochure of Fetis any real acquaintance with Rameau's theoretical achievements, or the nature of his researches in the domain of harmony; while Zarlino is dismissed with the remark that "he is unable to present to us any synoptic science of chords"! With regard to Dr. Riemann's important work, Geschichte der Musiktheorie im IX.-XIX Jahrhundert, it is evident that its author does not consider it to be a history of the theory of harmony, since he makes no attempt even to summarize the systems of such distinguished theorists as Tartini, Hauptmann, and Fetis, as well as of other theorists.
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