Excerpt from The Art of Breathing as the Basis of Tone-Production: A Book Indispensable to Cingers, Elocutionists, Educators, Lawyers, Preachers, and to All Others Desirous of Having a Pleasant Voice and Good Health
The Selecting of a Singing-Teacher; The Easy Range of Tones and the Classifying of Voices. In what part of the Compass can the Easy Range of Tones be Found, and how many Tones does it Contain?; The Resonance-Chambers for the Formation of Vowel-Sounds And Consonants; The Solid Parts of the Resonance-Cavities; The Movable Parts of the Resonance-Cavities. The Tongue - The Lips and Cheeks - The Soft-Palate and the Uvula - The Tonsils The Lower Jaw - The Epiglottis; The Pure Vowels and how they are Formed; A Vowel Tape-Measure not Practicable. - The Indefiniteness of the Characters used for the English Vowels; The Long, Pure Vowel-Sounds; The Short Vowels; Tone Production with the Pure Vowel-Sounds; Shall a Pupil Begin with Vocalization or ArticulationExercises?; On what Vowel shall Tones First be Practiced?; General Rule for Tone-Production; The Terminating of a Tone; Sustained Vocal Exercises on One or More Tones; Sustained Tones Practicing in Front of a Mirror Two Tones in Succession in the Interval of a Major Second; The Practice of the Long Vowels
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