Excerpt from Studies in Modern Music: Hector Berlioz, Robert Schumann, Richard Wagner
It has often been observed, in various tones of reproach or protest, that we are all growing into a practice of accepting any statement that we hear frequently or authoritatively repeated. From our systems of government and philosophy down to the advertisements in our daily papers everything bears witness to a policy of reiteration. We are, indeed inclined to be suspicious of new ideas, especially those of unknown origin or authorship: in dealing with any proposition we like, above all things, to know who framed it, and how many people believe it to be true But if we are satisfied on these points, if we can see the image and superscription of some recognised potentate, and feel the edges smooth with the usage of many hands, we scruple no longer, but take the assertion for sterling, without examining its reverse side or testing the genuineness of its ring.
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