Spanish artist Santiago Sierra s genius lies in using his art to allowthe public to see the structure of power in the contemporary world.At the Spanish Pavilion at the 50th Venice Biennale in 2003, he builta wall and hired a security firm to police the door only admittingthose visitors who were able to provide Spanish or Mexican identitydocuments. The Guardian of London wrote that the shocking nature ofSierra s most recent work was not that he solicited some junkies to gettattoos in exchange for drugs; the ah-ha moment is the small shift ofperception that reminds us of the daily human rights violations worldwidethat we don t even notice. This expansive catalog, accompanyinga retrospective exhibition of countless performance remains andinstallations, was compiled by Sierra himself and offers a deep overviewof the artist s career. Это и многое другое вы найдете в книге Sculpture, Photography, Film (Santiago Sierra)