In Vinyl Leaves Professor Fjellman analyzes each ride and theater show of Walt Disney World and discusses the history, political economy, technical infrastructure, and urban planning of the area as well as its relationship with Metropolitan Orlando and the state of Florida. With brilliant technological legerdemain, Disney puts visitors into cinematically structured stories in which pieces of American and world culture become ideological tokens in arguments in favor of commodification and techno-corporatecontrol. Culture is construed as spirit, colonialism and entrepreneurial violence as exotic zaniness, and the Other as child. Это и многое другое вы найдете в книге Vinyl Leaves: Walt Disney World and America (Institutional Structures of Feeling) (Stephen M. Fjellman)