Excerpt from The Works of John Dryden, Vol. 10: Now First Collected in Eighteen Volumes; Illustrated With Notes, Historical, Critical, and Explanatory, and a Life of the Author
The Religio Laici, according to Johnson, is almost the only work of Dryden which can be considered as a voluntary effusion. I do not see much ground for this assertion. Dryden was indeed obliged to write by the necessity of his circumstances; but the choice of the mode in which he was to labour was his own, as well in his Fables and other poems, as in that which follows. Nay, upon examination, the Religio Laici appears, in a great measure, a controversial, and almost a political poem; and, being such, cannot be termed, with propriety, a voluntary effusion, any more than "The Medal," or "Absalom and Achitophel." It is evident, Dryden had his own times in consideration, and the effect which the poem was likely to produce upon them. Religious controversy had mingled deeply with the party politics of the reign of Charles II. Divided, as the nation was, into the three great sects of Churchmen, Papists, and Dissenters, their several creeds were examined by their antagonists with scrupulous malignity, and every hint extracted from them which could be turned to the disadvantage of those who professed them. To the Catholics, the dissenters objected their cruel intolerance and jesuitical practices; to the church of England, their servile dependence on the crown, and slavish doctrine of non-resistance. The Catholics, on the other hand, charged the reformed church of England with desertion from the original doctrines of Christianity, with denying the infallibility of general councils, and destroying the unity of the church; and against the fanatics, they objected their anti-monarchical tenets, the wild visions of their independent preachers, and their seditious cabals against the church and state.
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