The Art of Heraldry

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Excerpt from The Art of Heraldry: An Encyclopedia of Armory

Too frequently it is the custom to consider the study of the science of Armory as the study of a subject which has passed beyond the limits of practical politics. Heraldry has been termed "The Shorthand of History," but nevertheless the study of that shorthand has been approached too often as if it were but the study of a dead language. The result has been that too much faith has been placed in the works of older writers, whose dicta have been accepted as both unquestionably correct at the date they wrote, and, as a consequence, equally binding at the present day.

Since Dame Juliana Berners wrote the "Boke of St. Albans," into which she managed to compress an unconscionable amount of rubbish, books and treatises on the subject of Armory have issued from the press in a constant succession. A few of them stand a head and shoulders above the remainder. The said remainder have already sunk into oblivion. Such a book as "Guillim" must of necessity rank in the forefront of any armorial bibliography; but any one seeking to judge the Armory of the present day by the standards and ethics adopted by that writer, would find himself making mistake after mistake, and led hopelessly astray. There can be very little doubt that the "Display of Heraldry" is an accurate representation of the laws of Armory which governed the use of Arms at the date the book was written; and it correctly puts forward the opinions which were then accepted concerning the past history of the science.

There are two points, however, which must be borne in mind.

The first is that the critical desire for accuracy which fortunately seems to have been the keynote of research during the nineteenth century, has produced students of Armory whose investigations into facts have swept away the fables, the myths, and the falsehood which had collected around the ancient science, and which in their preposterous assertions had earned for Armory a ridicule, a contempt, and a disbelief which the science itself, and moreover the active practice of the science, had never at any time warranted or deserved. The desire to gratify the vanity of illustrious patrons rendered the mythical traditions attached to Armory more difficult to explode than in the cases of those other sciences in which no one has a personal interest in upholding the wrong; but a study of the scientific works of bygone days, and the comparison, for example, of a sixteenth or seventeenth century medical book with a similar work of the present day, will show that all scientific knowledge during past centuries was a curious conglomeration of unquestionable fact, interwoven with and partly obscured by a vast amount of false information, which now can either be dismissed as utter rubbish or controverted and disproved on the score of being plausible untruth. Consequently, Armory, no less than medicine, theology, or jurisprudence, should not be lightly esteemed because our predecessors knew less about the subject than is known at the present day, or because they believed implicitly dogma and tradition which we ourselves know to be and accept as exploded. Research and investigation constantly goes on, and every day adds to our knowledge.

The second point, which perhaps is the most important, is the patent fact that Heraldry and Armory are not a dead science, but are an actual living reality.

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Полное название книги The Art of Heraldry
Автор
Ключевые слова история, археология, этнография
Категории Образование и наука, История
ISBN 9781330353639
Издательство Книга по Требованию
Год 2015
Название транслитом the-art-of-heraldry
Название с ошибочной раскладкой the art of heraldry