Excerpt from The Flemish, Dutch and German Schools of Painting
After the very kind and flattering reception which the Italian Schools of Painting has met with from the public, it will not, perhaps, be necessary to bring forward much prefatory matter on the present occasion; since this short account of the great Northern Schools Is arranged and conducted on a similar plan, and intended, in some sort, as a continuation of the former work.
One point, however, it may not be amiss to touch upon, but it is merely relative to matters of orthography.
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