Excerpt from Fifty Years Experience of Pianoforte Teaching and Playing
In looking back over a fifty years' experience of piano-forte-playing and teaching the fact that stands out most vividly in my recollection is the enormous progress made all over the world, but more particularly in England, during the 'sixties and 'seventies of the last century. I say "more particularly in England" advisedly, for it must be confessed that this country stood at that time in more urgent need of musical progress than any other of the leading nations of the world. All the more honour to her and to her musicians for having wiped off the arrears so handsomely, and for winning her present proud position amongst the foremost of her rivals!
In submitting the facts of this progress to a brief review, I am afraid that the personal pronoun must inevitably crop up now and again, as the period of that improvement happens to coincide with my own musical growth, and I was therefore lucky enough to come into personal contact with nearly all the great pianists of that time, including Moscheles, Liszt, von Bulow, Rubinstein, Tausig, and the rest of that glorious band of artists to whom the credit of raising the standard of pianoforte-playing throughout the world is chiefly due.
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