Excerpt from The Romance of the Fiddle the Origin of the Modern Virtuoso, and the Adventures of His Ancestors
In the course of studies connected with the history of the violin family it occurred to me that the manner in which the art of violin playing was originally acquired has never been satisfactorily explained in the existing works on the history of the violin. An attempt at elucidating this matter led to a series of articles entitled "How our Ancestors Studied the Fiddle," which appeared in a periodical called Strings (London, 1895 - 6, Haynes). Becoming more and more engrossed in the subject, I began to inquire more closely into the conditions under which the violin made its debut in the musical world, trying to elucidate where and by whom it was played, and the position it occupied among the musical instruments of the days when it was in its infancy. I tried to conjure up vivid pictures of musical meetings in the family circle or public places from the Jacobean times down to the beginning of last century. This necessitated a closer acquaintance with the manners and customs of the times, and even with the personality of individual people who played a prominent part in the history of that instrument.
There is a great fascination in reviving the past, and obtaining a graphic picture of the manner in which our forefathers worked and toiled to obtain a mastery of what in our time has become the king of instruments.
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