Excerpt from The Painters of the School of Ferrara
In the following pages I have attempted to give a brief account of the famous school of painting that originated in Ferrara about the middle of the fifteenth century, and thence not only extended its influence to the other cities that owned the sway of the House of Este, but spread over all Emilia and Romagna, produced Correggio in Parma, and even shared in the making of Raphael at Urbino. Correggio himself is not included: he is too great a figure in Italian art to be treated as merely the member of a local school; and he has already been the subject of a separate monograph in this series.
The classical volumes of Girolamo Baruffaldi are still indispensable to the student of the artistic history of Ferrara. It was, however, Morelli who first revealed the importance and significance of the Ferrarese school in the evolution of Italian art; and, although a few of his conclusions and conjectures have to be abandoned or modified in the light of later researches and discoveries, his work must ever remain our starting-point.
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